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𝇆 U+1D1C6 Unicode文字

Unicode

U+1D1C6

𝇆

数値文字参照

𝇆 𝇆

URLエンコード(UTF-8)

%F0%9D%87%86

ユニコード名

MUSICAL SYMBOL SEMIMINIMA REST

一般カテゴリ-

Symbol, Other(記号,その他)

文字化けする可能性のある文字

Base64エンコード : 8J2Hhg==

「𝇆」に似ている意味の文字

𝇆の説明

Mensural notation is the musical notation system used for polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like musica mensurata ("measured music") or cantus mensurabilis ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to musica plana or musica choralis, i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation.
Mensural notation grew out of an earlier, more limited method of notating rhythms in terms of fixed repetitive patterns, the so-called rhythmic modes, which were developed in France around 1200. An early form of mensural notation was first described and codified in the treatise Ars cantus mensurabilis ("The art of measured chant") by Franco of Cologne (c. 1280). A much expanded system allowing for greater rhythmic complexity was introduced in France with the stylistic movement of the Ars nova in the 14th century, while Italian 14th-century music developed its own, somewhat different variant. Around 1400, the French system was adopted across Europe, and became the standard form of notation of the Renaissance music of the 15th and 16th centuries. Over the course of the 17th century, mensural notation gradually evolved into modern measure (or bar) notation.
The decisive innovation of mensural notation was the systematic use of different note shapes to denote rhythmic durations that stood in well-defined, hierarchical numerical relations to each other. While less context dependent than notation in rhythmic modes, mensural notation differed from the modern system in that the values of notes were still somewhat context-dependent. In particular, a note could have the length of either two or three units of the next smaller order, whereas in modern notation these relations are invariably binary. Whether a note was to be read as ternary ("perfect") or binary ("imperfect") was a matter partly of context rules and partly of a system of mensuration signs comparable to modern time signatures. There was also a complex system of temporarily shifting note values by proportion factors like 2:1 or 3:2. Mensural notation used no bar lines, and it sometimes employed special connected note forms (ligatures) inherited from earlier medieval notation. Unlike in the earliest beginnings of the writing of polyphonic music, and unlike in modern practice, mensural notation was usually not written in a score arrangement but in individual parts.
Mensural notation was extensively described and codified by contemporary theorists. As these writings, like all academic work of the time, were usually in Latin, many features of the system are still conventionally referred to by their Latin terms.[出典:Wikipedia]

𝇆の文字を使った例文

𝇆は、現代音楽でも楽譜や音楽用語として使用される辞書中にある文字の一つです。この文字は、従来の楽譜記述法では記述しきれなかった、より細かく複雑な微妙な演奏指示や表情指示を記譜するために考案されました。 𝇆を用いることで、細かい表情の違いや速度の変化などを、音符や休符の横に直接書き込むことができます。例えば、𝇆を用いて「少し遅めに、落ち着いたテンポで演奏する」という指示を記譜することができます。 また、𝇆は音楽以外の分野でも活躍の場を持ちます。数学や物理学における記号としても使用され、特に量子力学においては「フォトンストリーム」という用語に使われることがあります。このように、𝇆は歴史的な背景を持つ文字であり、今でも様々な分野で用いられていることがわかります。 さらに、𝇆はUnicodeに登録された楽譜用文字の一部であることから、様々な国や地域の音楽記述法にも影響を与えています。また、楽譜ソフトや音楽教育用アプリなどでも使用されており、これらのツールを使うことで、初心者でも手軽に楽譜を作成したり、演奏したりすることができます。 以上のように、𝇆は音楽をはじめ様々な分野で使用され、現代においてもその活躍の場を広げています。今後も、𝇆が多くの人々に愛され、引き続き様々な分野で使われることを期待しています。

(この例文はAIにより作成されています。特定の文字を含む文章を出力していますが内容が正確でない場合があります。)