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๐†— U+1D197 Unicodeๆ–‡ๅญ—

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U+1D197

๐†—

ๆ•ฐๅ€คๆ–‡ๅญ—ๅ‚็…ง

𝆗 𝆗

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ใƒฆใƒ‹ใ‚ณใƒผใƒ‰ๅ

MUSICAL SYMBOL TURN

ไธ€่ˆฌใ‚ซใƒ†ใ‚ดใƒช๏ผ

Symbol, Other๏ผˆ่จ˜ๅท๏ผŒใใฎไป–๏ผ‰

ๆ–‡ๅญ—ๅŒ–ใ‘ใ™ใ‚‹ๅฏ่ƒฝๆ€งใฎใ‚ใ‚‹ๆ–‡ๅญ—

Base64ใ‚จใƒณใ‚ณใƒผใƒ‰ : 8J2Glw==

ใ€Œ๐†—ใ€ใซไผผใฆใ„ใ‚‹ๆ„ๅ‘ณใฎๆ–‡ๅญ—

๐†—ใฎ่ชฌๆ˜Ž

In music, ornaments or embellishments are musical flourishesโ€”typically, added notesโ€”that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note.
There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word agrรฉment is used specifically to indicate the French Baroque style of ornamentation.[ๅ‡บๅ…ธ:Wikipedia]

๐†—ใฎๆ–‡ๅญ—ใ‚’ไฝฟใฃใŸไพ‹ๆ–‡

๐†—ใฏใ€้Ÿณๆฅฝใ‚’่กจใ™็‰นๆฎŠใชๆ–‡ๅญ—ใงใ‚ใ‚‹ใ€‚ใ“ใ‚Œใฏใ€้Ÿณ็ฌฆใ‚„ใƒชใ‚บใƒ ใชใฉใฎ่ฆ็ด ใ‚’่กจใ™ใŸใ‚ใซไฝฟ็”จใ•ใ‚Œใ‚‹ใ€‚ ๐†—ใ‚’ไฝฟ็”จใ—ใฆใ€้Ÿณๆฅฝใ‚’่กจ็พใ™ใ‚‹ใ“ใจใŒๅฏ่ƒฝใงใ‚ใ‚‹ใ€‚ใŸใจใˆใฐใ€๐†—ใ‚’ไฝฟใฃใฆใ€Œใƒ‰ใƒฌใƒŸใƒ•ใ‚กใ‚ฝใƒฉใ‚ทใƒ‰ใ€ใจใ„ใ†้Ÿณ้šŽใ‚’่กจ็พใ™ใ‚‹ใ“ใจใŒใงใใ‚‹ใ€‚ใพใŸใ€๐†—ใ‚’ไฝฟ็”จใ—ใฆใ€ใƒชใ‚บใƒ ใ‚’่กจ็พใ™ใ‚‹ใ“ใจใ‚‚ใงใใ‚‹ใ€‚ใŸใจใˆใฐใ€ใ€Œ๐†—๐†—๐†—๐†—๐†—๐†—๐†˜๐†—ใ€ใจใ„ใ†ใƒ‘ใ‚ฟใƒผใƒณใฏใ€8ๅˆ†้Ÿณ็ฌฆ5ใคใจ16ๅˆ†้Ÿณ็ฌฆ1ใคใ‚’่กจใ—ใฆใ„ใ‚‹ใ€‚ ใ•ใ‚‰ใซใ€๐†—ใฏใ€้Ÿณๆฅฝใฎๆผ”ๅฅใซใŠใ„ใฆใ‚‚้‡่ฆใชๅฝนๅ‰ฒใ‚’ๆžœใŸใ™ใ€‚ใŸใจใˆใฐใ€ๆฅฝ่ญœไธŠใง๐†—ใŒๆ›ธใ‹ใ‚ŒใŸ็ฎ‡ๆ‰€ใฏใ€้€šๅธธใฏ้ซ˜ใ•ใฎใ‚ใ‚‹้Ÿณใ‚’่กจใ™ใ€‚ใพใŸใ€๐†—ใŒไธŠใซๅ‘ใ‹ใฃใฆใ„ใ‚‹ๅ ดๅˆใฏใ€้ŸณใŒ้ซ˜ใใชใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใ€ไธ‹ใซๅ‘ใ‹ใฃใฆใ„ใ‚‹ๅ ดๅˆใฏใ€้ŸณใŒไฝŽใใชใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ€‚ ใพใŸใ€๐†—ใฏใ€้Ÿณๆฅฝใฎๆ„Ÿๆƒ…ใ‚„้›ฐๅ›ฒๆฐ—ใ‚’่กจ็พใ™ใ‚‹ใฎใซใ‚‚ๅฝน็ซ‹ใคใ€‚ไพ‹ใˆใฐใ€ใ€Œ๐†—๐†—๐†—๐†—๐†—๐†—๐†˜๐†˜๐†—๐†—๐†—๐†—๐†—๐†—๐†˜๐†˜ใ€ใจใ„ใ†ใƒ‘ใ‚ฟใƒผใƒณใฏใ€ๆ‚ฒใ—ใ„ใ€ใ‚‚ใ—ใใฏๅฏ‚ใ—ใ„้›ฐๅ›ฒๆฐ—ใ‚’่กจใ—ใฆใ„ใ‚‹ใ€‚ไธ€ๆ–นใ€ใ€Œ๐†—๐†—๐†—๐†—๐†—๐†—๐†˜๐†˜๐†˜๐†˜๐†—๐†—๐†—๐†—๐†—๐†—๐†˜๐†˜ใ€ใจใ„ใ†ใƒ‘ใ‚ฟใƒผใƒณใฏใ€ๆ˜Žใ‚‹ใ„ใ€ใ‚‚ใ—ใใฏใƒใƒƒใƒ”ใƒผใช้›ฐๅ›ฒๆฐ—ใ‚’่กจใ—ใฆใ„ใ‚‹ใ€‚ ๐†—ใฏใ€้Ÿณๆฅฝใ‚’่กจ็พใ™ใ‚‹ไธŠใงๆฌ ใ‹ใ›ใชใ„ๆ–‡ๅญ—ใงใ‚ใ‚‹ใ€‚ใ“ใฎ็‰นๆฎŠใชๆ–‡ๅญ—ใ‚’ไฝฟใฃใฆใ€้Ÿณๆฅฝใฎ่ฆ็ด ใ‚„ๆผ”ๅฅๆŠ€่ก“ใ€ๆ„Ÿๆƒ…ใ‚„้›ฐๅ›ฒๆฐ—ใ‚’่กจ็พใ™ใ‚‹ใ“ใจใŒๅฏ่ƒฝใงใ‚ใ‚‹ใ€‚้Ÿณๆฅฝใ‚’ๆ„›ใ™ใ‚‹ไบบใ€…ใซใจใฃใฆใ€๐†—ใฏใ€็‰นๅˆฅใชๆ„ๅ‘ณใ‚’ๆŒใคๆ–‡ๅญ—ใงใ‚ใ‚‹ใ€‚ๅฝผใ‚‰ใฏใ€ใ“ใฎๆ–‡ๅญ—ใ‚’้€šใ—ใฆใ€้Ÿณๆฅฝใจๆทฑใ็น‹ใŒใ‚‹ใ“ใจใŒใงใใ‚‹ใฎใ ใ€‚

(ใ“ใฎไพ‹ๆ–‡ใฏAIใซใ‚ˆใ‚Šไฝœๆˆใ•ใ‚Œใฆใ„ใพใ™ใ€‚็‰นๅฎšใฎๆ–‡ๅญ—ใ‚’ๅซใ‚€ๆ–‡็ซ ใ‚’ๅ‡บๅŠ›ใ—ใฆใ„ใพใ™ใŒๅ†…ๅฎนใŒๆญฃ็ขบใงใชใ„ๅ ดๅˆใŒใ‚ใ‚Šใพใ™ใ€‚)