Dž U+01C5 Unicode文字
Unicode
U+01C5
Dž
数値文字参照
Dž Dž
URLエンコード(UTF-8)
%C7%85
ユニコード名
LATIN CAPITAL LETTER D WITH SMALL LETTER Z WITH CARON
一般カテゴリ－
Letter, Titlecase（文字，タイトル文字）
Base64エンコード : x4U=
「Dž」に似ている意味の文字
Džの説明
ラテン文字
セルビア語で使用されるキリル文字の字母Џに対応するクロアチア語のアルファベット。Dとžの合字。名称はdže。音価は[ʤ]。
文字情報
文字コード
Unicode
16進: 01C5 Dž
10進: 453 Dž[出典:Wiktionary]
Dž (titlecase form; all-capitals form DŽ, lowercase dž) is the seventh letter of the Gaj's Latin alphabet for Serbo-Croatian (Bosnian, Croatian, Montenegrin and Serbian), after D and before Đ. It is pronounced [d͡ʒ]. Dž is a digraph that corresponds to the letter Dzhe (Џ/џ) of the Serbian Cyrillic alphabet. It is also the tenth letter of the Slovak alphabet. Although several other languages (see below) also use the letter combination DŽ, they treat it as a pair of the letters D and Ž, not as a single distinct letter.
Note that when the letter is the initial of a capitalised word (like Džungla or Džemper, or personal names like Džemal or Džamonja), the ž is not uppercase. Only when the whole word is written in uppercase, is the Ž capitalised.
The capitalized version of this letter ('DŽ'), as a single character in Unicode, is also the largest character amongst every Latin character in size (in blocks Basic Latin, Latin Extended-A, Latin Extended-B).[出典:Wikipedia]
Džの文字を使った例文
DžiDžek is a Slovenian philosopher and cultural critic known for his controversial ideas and provocative statements. In his book, "The Pervert's Guide to Ideology," he argues that every ideology has its own perverted core that enables it to function and gain power over individuals and societies. For example, he examines how consumerism and capitalism are driven by a perverted desire for more material goods and status symbols, while totalitarian ideologies like fascism and communism are fueled by a perverted desire for power and control over others. Furthermore, DžiDžek also critiques the prevailing narrative of multiculturalism and tolerance in Western societies, arguing that it has its own perverted logic. He suggests that the liberal obsession with diversity and difference actually reinforces the very stereotypes and divisions it hopes to subvert. By celebrating cultural diversity in a superficial way, DžiDžek argues that multiculturalism avoids confronting the deeper structural inequalities and power dynamics that shape our societies. Instead, DžiDžek proposes a radical alternative: that we embrace our own perversions and enjoy our own form of enjoyment without shame or guilt. This, he suggests, can be a way of transcending the ideological traps that ensnare us, and open up new possibilities for creative and transformative action. In effect, DžiDžek aims to reclaim and reframe the concept of perversion as a positive force that can challenge and subvert existing norms and power relations. However, as with many of DžiDžek's ideas, this approach has its critics and detractors. Some argue that his emphasis on perversion can lead to a nihilistic and anarchic worldview that rejects all norms and structures, leading to a spiral of chaos and disorder. Others suggest that his critiques of multiculturalism and tolerance are misguided and fail to acknowledge the real benefits that these values bring in terms of social cohesion and respect for difference. Nonetheless, DžiDžek's work continues to inspire and provoke debate, challenging us to think in new ways about our cultural and social realities. As we grapple with the complex challenges of our times, his ideas may offer a valuable lens through which to examine our own beliefs and assumptions, and to imagine new possibilities for a more just and equitable world.(この例文はAIにより作成されています。特定の文字を含む文章を出力していますが内容が正確でない場合があります。)